Friday, November 13, 2009

Linguistic Empowerment

The day-to-day grind for a creative person - illustrator, writer, filmmaker - can be a lonely one. Because of this, I'm convinced that people in this field are far more likely than others to be on the lookout for things that inspire and motivate them.

For me, I've always found there to be a great deal of power in the spoken word. One of my favorite pastimes happens to be the discovery (and subsequent hoarding of) quotations and advice from strong, knowledgeable and very often successful people. For me, the only thing more fun than collecting these words of wisdom is sharing them. So, in the spirit of collective creativity, I've elected to list here a few of my favorites . . .


On Inspiration:

You can't wait for inspiration, you have to go after it with a club.
– Jack London

Inspiration; could be called inhaling the memory of an act never experienced.

On the Importance of Imagination:

Dreams come in a size too big so we can grow into them.

Imagination grows by exercise, and contrary to common belief, is more powerful in the mature than in the young.
– W. Somerset Maugham

The Imagination is the workshop of the soul where all the plans for individual achievement are shaped.

Imagination does not mean making things up. It is a form of seeing.
-Xaphania the angel from Philip Pullman's THE AMBER SPYGLASS

When you cease to dream, you cease to live.
-Malcolm Forbes

Nothing happens unless first we dream
-Carl Sandburg

Fairy Tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.
-G.K. Chesterton

Imagination is more important than knowledge.
-Albert Einstein



On the Value of Brevity:

The most valuable of all talents is that of never using two words when one will do.
– Thomas Jefferson

The act of writing a screenplay is exactly like the act of seeing a movie; there must be no more written on the page than what you see or hear on the screen.

-Alvin Sargent


On the Craft:

Writing, like film directing, is a matter of making endless decisions. Every word, every sentence, the order of the paragraphs--everything is a decision. There are an infinite number of possibilities in putting something together as you write. Because of that, if a person is not decisive, he will never write anything.
-Lawrence Kasdan

Myth must be kept alive. The people who can keep it alive are artists of one kind or another. The function of the artist is the mythologization of the environment and the world.
-Joseph Campbell

Screenwriting is a fantastic job but it is the toughest and most demanding thing I’ve done in my life. I discovered it requires an enormous amount of discipline and commitment. It’s a job. It is work.
-Philippa Boyens

Moliere once said that writing is like prostitution: first you do it for love, then for a few close friends, and then for money.

In this (the Entertainment) industry, there's only one resource more valuable than people. Talent.

The Art of Storytelling:

Story is Metaphor for Life.
-Robert Mckee

I honestly feel the heart of our organization is the story department.
-Walt Disney

And when you pitch, you’re pitching story. Because story is the foundation of the screenplay. Character and action may be the glue that holds everything together, but it all starts within the context of story.
-Syd Field

Stories are Equipment for Living.
-Kenneth Burke

If the story is good the picture may be good, but if the story is weak, good color, music and animation cannot save it.
-Walt Disney

Master storytellers never explain. They do the hard, painfully creative thing-they dramatize.
-Robert Mckee

. . . today who reads Hegel or Kant without an exam to pass? Science, once the great explicator, garbles life with complexity and perplexity. Who can listen without cynicism to economists, sociologists, politicians? Religion, for many, has become an empty ritual that masks hypocrisy. As our faith in traditional ideologies diminishes, we turn to the source we still believe in: the art of story.
-Robert McKee

Story talent: the creative conversion of life itself to a more powerful, clearer, more meaningful experience . . .the material of literary talent is words; the material of story talent is life itself.
-Robert McKee


On Being Truthful:

All the writer is responsible for--and this is enough--is to tell the truth. There has never been a case in history--in any culture--where it's people have been hurt by getting too much truth.
-Robert McKee

If you go deep into somebody’s mind or heart, then you’re going to interest people, make them a little uncomfortable. Make them as uncomfortable and as curious as possible with the truth.
-Alvin Sargent

Truth is always exciting. Speak it, then; life is dull without it.
-Pearl S. Buck


On Structure:

In traditional 3-act structure, you want everything to be falling apart at the end of the second act-and that's exactly what's going on. (In Empire) Luke has lost his hand, and Han is frozen. Everything's gone to hell . . .
-Lawrence Kasdan

On Character:

Humor is easiest to achieve; the heart is always the toughest, because you can’t tell people to feel a certain way – they have to discover it for themselves. In the five films we’ve done, character growth is the big thing. That character growth, for us, is where a lot of emotion comes from. Unlike humor, emotion stays with an audience longer. But to get to that emotional heart takes time, you have to set things up in order to take people to a place where they’re devastated or sad. There’s no formula.
-John Lasseter, executive producer

Invest in the human soul. Who knows, it might be a diamond in the rough.
-Mary McLeod Bethune

WHAT plus WHY equals WHO.
-Joshua James

The character that lasts is an ordinary guy with extraordinary qualities.
-Raymond Chandler


On Technique:


There are so many different kinds of writing and so many ways to work that the only rule is this: do what works. Almost everything has been tried and found to succeed for somebody. The methods, even the ideas of successful writers, contradict each other in a most heartening way, and the only element I find common to all successful writers is persistence -- an overwhelming determination to succeed.
– Sophy Burnham

The creative side of filmmaking has nothing to do with the medium in which you're shooting the film. Things haven't changed that much since silent films - you're telling a story and you're creating images. you learn your craft, and you learn the system you're creating your images on, but it's the images that count, not how you got there.
-George Lucas


On Motivation and Never Giving Up:

Aspiration is the seed of life.
-Joan Chittister

Don't sit down and wait for the opportunities to come; you have to get up and make them. -Madame C.J. Walker

What a lovely surprise to discover how unlonely being alone can be.
-Ellen Burstyn

Fear and Uncertainty inhibit success.

The next time someone is really critical of your work, just remember that even steel must be hammered before it is allowed to harden.

In Hollywood people don't fail, they quit.
-Jack Sowards (1929-2007)

To those who need encouragement, remember this: Beware of quitting too soon. Dr. Seuss’ first children’s book was rejected by 23 publishers. The 24th publisher sold 6 million copies.

Press on. Nothing in the world can take the place of persistence. Talent will not: nothing is more common than unrewarded talent. Education alone will not: the world is full of educated failures. Persistence alone is omnipotent.
-Calvin Coolidge

Obstacles cannot crush me. Every obstacle yields to stern resolve. He who is fixed to a star does not change his mind.
-Leonardo da Vinci, painter, sculpter, writer

It is never too late to be what you might have been.
-George Eliot

A professional writer is an amateur who didn't quit.
-Richard Bach

Fall down seven times, stand up eight.
-Japanese proverb

Just don't give up trying to do what you really want to do. Where there is love and inspiration, I don't think you can go wrong.
-Ella Fitzgerald


On Living:

Line from a William Blake poem: Think in the morning, act in the noon, read in the evening, and sleep at night.

. . . what's most important above all in a world that is unpredictable, in a world that is changing so much there seems to be nothing you can own, is that there are two things you can own: You can own your story - so you better live a good one - and you can own the love you have for the people who really love you and who you love back. And, that is all there is . . everything else is secondary.
-Baz Luhrmann

If you truly love something, you never question the time it takes to nurture it - be it marriage, hobby, pet, sports, religion, whatever.
-Walt Stanchfield

Everyone has talent. What is rare is the courage to follow talent to the dark place where it leads.
-Erica Jong

Hollywood is the only place where you can die from encouragement
-Dorothy Parker

Use what talents you possess; the woods would be very silent if no birds sang except those that sang best.
-Henry Van Dyke, clergyman, writer

Monday, November 12, 2007

The Dialogue

I've been watching an extremely inspiring series of DVDs called THE DIALOGUE: LEARNING FROM THE MASTERS. A buddy of mine suggested I check them out some time ago but I've only just recently seen volumes one and two show up on netflix.

If you're at all interested in how movies get made, I highly recommend them.

There are (currently) 27 discs in the series and each one features an interview with an A-list screenwriter or screenwriting team. The scribes chat very casually with an interviewer about the craft of screenwriting and about their own individual process, but also manage to slip in the occasional story about how they got started or what it's like working in Hollywood. Very interesting and very, very informative.

Unlike other profile-type interviews with filmmakers, the discs in this series have managed to keep me engaged all the way through. Each one is between 80 and 90 minutes long and the host, Mike DeLuca, keeps things moving without too many interruptions. In fact, DeLuca is a big reason why I enjoy them so much (in addition to being a movie fanatic, DeLuca has been President of Production for New Line Cinema, Dreamworks and Sony and has worked as a screenwriter, producer and/or executive on films like SE7EN, BOOGIE NIGHTS, ZATHURA, DARK CITY, FREDDY'S NIGHTMARE and GHOST RIDER to name a few). DeLuca's bedside manner comes across as low-key, natural and entertaining.

I've seen three discs so far (Paul Haggis, Nia Vardalos and Stuart Beattie) and will likely purchase the Stuart Beattie one.

Monday, November 05, 2007

Concerning the Writer's Strike

For those interested, there's lots of good dialogue about it over on Craig Mazin's blog.

Tuesday, October 16, 2007

Festival Gems

Back from Texas (and feeling much too exhausted after my first day back at work . . . )

Viewed quite a few interesting films over the course of the weekend but felt that the following warranted a special shout-out:

In the realm of narrative features:

JUNO (narrative feature directed by Jason Reitman and written by Diablo Cody). In my opinion, the best written and most entertaining of the very few films I managed to see. Wouldn't be surprised to see it get Oscar attention.

RESERVATION ROAD (directed by Terry George, written by John Burnham Schwartz and Terry George). Intense and sometimes difficult-to-watch drama. Very well-done.

KABLUEY (narrative feature written and directed by Scott Prendergast). Small in scope but delightfully warm and funny.

Documentaries for me are often notoriously difficult to sit through, but I really liked TIME PIECE by UK director Kat Mansoor. Also, over the course of the weekend, I heard a lot of great things about CHASING THE DREAM, a documentary about eight high school surfers seeking a career in professional surfing. Really wish now that I had been able to find a way to squeeze that one in.

In the category of animated shorts, I have to list as my favorites OVER THE HILL (Peter Baynton) and THE PEARCE SISTERS (Luis Cook). There is also lots to like in ZOOLOGIC (by Nicole Mitchell) and YOURS TRULY (Osbert Parker).

Monday, October 08, 2007

Off to AFF . . .

I'll be in Texas this weekend for the 14th Annual Austin Film Festival.

I look forward to attending. My brother plans to meet me there, and the entire event is considered by many in the film industry to be one of the more informative (and enjoyable) festivals for writers and filmmakers.

If any other writers - professional or aspiring - plan to be in town between the 11th and the 15th, let me know . . .

Friday, September 14, 2007

Hammered

This year, I'm reminded of just how subjective screenwriting competitions can be.

Behold the carnage . . .

The 2007 Nicholl Fellowships in Screenwriting

Received the oft-discussed "top 10%" email (this means that my script finished among the top 508 out of this year's 5,050 entries).

While being part of the top ten percent at Nicholl is very respectable, I cannot help feeling as if I've lost a bit of ground. In 2005, an early draft of the same script finished in the top 15% and last year a rewrite finished in the top 6% (missing the quarterfinals by less than one percent).

Austin Film Festival 2007

Submitted two very different scripts this year but neither advanced.

The results here were especially disappointing, mainly because the exact same script advanced to the second round of last year's competition. It' also unfortunate because I'm scheduled to attend the festival this year and having "second rounder", "semifinalist" or "finalist" on one's badge reportedly gains the attendee instant credibility with fellow writers and other industry types.

The 9th Annual Scriptapalooza Screenwriting Competition
This is my first time submitting to Scriptapalooza, despite its fast-growing reputation as one of the more respected competitions. I received an email from them in August letting me know that my script advanced to the quarterfinals (top 311 out of 3519 entries) but heard nothing after that. Ultimately, I had to visit the website to see this year's results (I did not, by the way, advance to the semifinals).

The 2007 (9th Annual) Cynosure Screenwriting Awards
Originally, I approached this contest with a high degree of skepticism, but was intrigued by the contest's unique angle of limiting the field of entries to scripts featuring strong female protagonists. Against my better judgement, I elected to gamble the entry fee. My instincts were confirmed, unfortunately, when I

a. failed to receive confirmation of my entry and
b. never received a single letter, phone call or email from the contest administrators regarding the competition or status of my entry

Eventually I dropped by the website to view the semifinalists (a list in which my script was not included).

As discouraging as the above results are, the year wasn't all bad. After countless unreturned telephone calls from entertainment attorneys, producer's assistants and agents over the last three years, I did manage to get my work in front of some fairly important people. While networking at a Women in Film event, my wife passed one of my scripts on to some creative executives at a mid-sized production company and after meeting with a highly respected attorney in Beverly Hills, I managed to submit a project (via his office) to an A-list producer.

Friday, August 31, 2007

Rochelle's Moviewatch!

Two sample film reviews:


"Hot Fuzz"
(2007) directed by Edgar Wright

Summary: A London "supercop" faces boredom and frustration when he is reassigned (against his will) to a sleepy little village in the country. But things get interesting for the sergeant and his dim-witted constable when a rash of fatal "accidents" strike the hamlet . . .

Things I Liked: The film's style and the very solid direction. The camera work expertly evokes (and parodies) the action-filled, big-budget police movies we Americans adore. I found the characters and the relationships between them to be very interesting but I did not in a million years expect the film's story to have as much depth and complexity as it did.

Things I Disliked: The title. The film is funny but the humor is not nearly as pervasive as the humor in SHAWN OF THE DEAD. Wright could have wrapped things up ten minutes earlier and I still would have been satisfied.

Three and one half stars out of five stars





The Best Years of Our Lives"
(1946) Directed by William Wyler

Summary: Three WWII veterans struggle to adapt following their return home to small town America.

Things I Liked: The characters. The fluid manner in which director William Wyler juggles multiple storylines, all the while managing to keep each one interesting. Excellent performances by Myrna Loy, Teresa Wright, Harold Russell, Fredric March and Hoagy Carmichael. Worthy of every one of the seven (7!) Oscars it won.

Things I Disliked: The delayed climax made me more aware of the film's running time than I otherwise would have been.

Three stars out of five stars



Moviewatch Ratings Legend:

One Star: Hated it
Two Stars: Didn't like it
Three Stars: Liked it
Four Stars: Really liked it
Five Stars: Loved it




I write these little five-minute reviews primarily to help me analyze the films I watch. I purposely posted here an older film along with a more recently released one in order to reinforce the importance of watching films from all eras.

Composing reviews in this way serves two purposes. One, it forces me to find the good in something I might otherwise not care for. A lot of hard work goes into making a film -- even a bad one -- and this is a much less critical and/or negative way for me to comment on the strengths and/or weaknesses of the film (in fact, I'll even go so far as to say that even the worst movies have something to like about them). Secondly (and most usefully), writing down what I think works and what doesn't has really, really helped me understand the visual storytelling process better.